MOTION #63: THIS HOUSE WOULD BAN CHILD PERFORMERS
The term child
performer includes young singers, actors, dancers, gymnasts, etc. These
children are exceptions to the 1973 Convention concerning Minimum Age for
Admission to Employment, and so may be paid for their work, as long as they
have permits that “limit the number of hours during which and prescribe the
conditions in which employment or work is allowed”. However, some feel that
child performers ought not to be such an exception, and that it should be
ensured that no child under the minimum age for admission to employment be
allowed to partake in paid work of any kind.
Currently, child performers are protected by various laws, for example laws
which dictate how many hours the child may work and how much education they
must receive (both of which vary by country), or how much of their pay must be
reserved for the child themselves (e.g., Canada’s “Coogan Law”). Yet some
believe these laws do not provide adequate protection, and that these child
performers represent a group (and a group which is on the increase) whose
rights are being undermined. A subset believes that the only way to protect
these children completely is to ban child performers outright.
Pros
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Cons
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Being a performer limits a child’s formal education. Spending so much time either performing or training
limits the amount of formal education the child can receive. For example, in
the UK and other countries, child performers are only required to be educated
for three hours each day.
Additionally, the focus on the specialised skill of the
child (e.g., acting, dancing, etc.) may detract from their family’s or their
own interest in formal education.
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It is entirely possible for child performers to achieve
high grades. For example, Jodie Foster graduated magna cum laude from Yale
University, despite having been a child star. Child performers who spend a
lot of hours on-set will also have access to a certified teacher who acts as
their personal tutor during that time.
In addition, as long as the child performer obtains a
sufficient understanding of the core academic curriculum, it doesn’t matter
if they are more interested in their chosen career area than in formal
education, especially if they plan on continuing on that career path into
adulthood.
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Child performers are at risk of exploitation. Children are generally considered to be too young to
make important decisions for themselves, and so decision-making falls to
parents, teachers, etc. For child performers, there are additional
decision-makers: their agents. Since agents benefit financially from the
child’s getting a role or doing well in a sporting event, there is a definite
risk of exploitation. Exploitation can also come from parents, as in the
famous case of American television child stars Jackie Coogan and Gary
Coleman, who both sued their parents for spending the money they had earned
as children or of Macaulay Culkin, who blocked his parents from having access
to his earnings.
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With the number of child performers on the increase,
parents are becoming more aware of what to expect from their child’s agent,
and thus less likely to unwittingly allow exploitation. Additionally, laws
exist to prevent parents from spending their child’s wages; for example, the “Coogan
Law” dictates that parents in California must open a trust account for their
child in which 15% of that child’s earnings must be put aside.
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It is unethical to expose children to the pressures of
performing. Even experienced adults can
find it difficult to deal with stage fright or performance anxiety. Children,
more emotionally vulnerable than adults by nature, should not be exposed to
this sort of pressure. This is especially true in situations where the child
is being paid for their performance, since the added necessity to perform
well can lead to even more pressure. Although suicide among children is rare,
it is believed often to occur as a result of the child feeling like she is
under too much pressure, or failing to meet the expectations of others.
There are also consequences that continue long past the
child has stopped performing; former child actors often have the problem as
young adults as feeling as having already ‘peaked’ and find themselves
without a sense of drive or ambition or a coherent adult identity,
consequentially they often suffer from substance abuse and addiction.
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Children will always feel pressure in certain areas of
their lives, whether with exams or school plays. It may be true that pressure
is greater for child performers, but children who perform at a professional
level are generally more skilled, and so they are often better at dealing
with this pressure. At the very least, they gain enough experience at a young
age, that they learn the skills needed to succeed, even in high-pressure
situations. Given the pressures all children face, surely it is ethical to
allow children into a world where they can learn how to deal with these
stresses and protect themselves against possible future problems.
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Being a performer can make the child physically
vulnerable. Children involved at a
professional level in sports are at a higher risk than their peers of
physical problems like breaking bones. In some cases, these physical problems
can be fatal; e.g., Julissa Gomez, who died from complications of a vaulting
injury contracted when she was 15 in warm-ups for a gymnastics competition.
Even in careers like acting and dancing there are risks
for child performers. Actors and dancers are usually encouraged to stay thin,
often to an unhealthy degree. Because children are particularly vulnerable,
they are more susceptible to the perils of over-exercising for athletes and
eating disorders for performers. It has been found, for example, that girls
who dance in their childhood are more likely than their peers to develop
anorexia nervosa in later life. Lena Zavaroni, the childhood winner of
‘opportunity knocks’ in the 1970’s, struggled with eating disorders for all
of her life and died aged 34.
With the damage eating disorders can do to a person’s
body, it should be illegal to expose children to such risks.
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The added risk for most child athletes and performers
is very low, and there is professional help in place for them to manage it.
Children who compete professionally in sporting events
are only exposed to real risk in very rare, extreme situations. Some elements
of risk exist in all aspects of life: children who are allowed to play on
rollerblades are slightly more at risk of injury than those who are not;
children who live in cities are at more risk of traffic accidents than those
who live in the countryside, who are at more risk of falling out of trees,
etc. Adults and children alike make decisions in which they take risks in the
name of the greater benefits. For children who play a sport professionally,
the physical training they receive can build strength and muscle and increase
fitness levels, which provide the child with improved health and protection
from injury in future. If child performers were banned, there would be no way
of making sure that any children who still ended up in the business (i.e.,
illegally) had access to the support staff (e.g., physiotherapists,
nutritionists) currently available.
When it comes to the possibility of eating disorders in
child performers, professionals also exist for the prevention thereof. For
example, in New York the Child Performer Advisory Board to Prevent Eating
Disorders (Labor Law Section 154) exists to educate and provide information
for child performers and their guardians.
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Allowing children to perform pushes them to grow up too
soon. Child performers are exposed to a much higher level of
responsibility than their peers, without the maturity to deal with it. They
may be exposed to sex, drugs, or alcohol, in a context too far removed from a
normal life that they don’t learn adequate coping mechanisms. It is no
surprise that many child performers “burn out” by the time they reach
adulthood, often experiencing problems long before, as in the case of actress
Drew Barrymore, who entered rehab at the age of 13. Children should not be
encouraged to enter into these adult worlds of acting, modeling, dancing,
etc. Michael Jackson attributed his
obsession with children and childhood as a consequence of having missed out on
a childhood himself.
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Cases like Drew Barrymore’s are rare, and many young
performers have happy and successful careers. All young people are likely to
be exposed to adult experiences at some point in their childhood, and it
should be left to parents and teachers to educate children of the dangers of
alcohol, drugs, etc., no matter what activities the child takes part in
outside of school or the home. For many of the areas that involve child
performers, there are also laws in place to ensure children are not exposed
to age-inappropriate situations. For example, in North America and other
countries laws exist to ensure children in the entertainment industry are not
“put at risk physically (no dangerous stunts),” “exposed to morally
compromising situations,” or ever allowed to “be nude or partially nude,” or
“be engaged in overt sexual acts”.
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Just as the state creates laws to protect child
performers it could ban child performers. Child performers are currently protected by laws about all sorts of
things from the minimum amount of education they may get to their pay and how
many hours they can work. Many of these laws would be much more difficult to
enforce than a blanket ban. It would be simple to enforce as child performers
would in most cases be easy to spot – as they are performing for the public.
The government could then bring charges against those who are employing the
child and fine them.
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Banning child performers could be successful for
professional child performers in regulated industries but it would be much
more difficult to prevent child performers on a small scale. It will also be
very difficult to get a balance between allowing children to develop in their
chosen profession or sport while preventing them from actually engaging in
any performance that displays that talent.
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In a lot of films, television shows, and stage
productions, it is possible to have young adult actors playing child roles.
For example, in the popular American television show The O.C., the main
characters were played by young adults ranging from 18 to 29 years of age but
all portraying teenagers. Sports needn’t suffer either: the minimum age of
competition for gymnastics has already been raised, and others can surely
follow their example without suffering from it. If professional leagues are
not allowed to roster athletes below the age of 18, for example, children
will compete in amateur and educational leagues where the pressure and
commitment is lower, but where they can still train for the professional
arena.
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Child performers are necessary for roles in some films,
television shows, etc., and for the survival of some sports. In some films or television shows, child actors are
absolutely necessary in order to realistically portray society and the roles
children play. The incredibly popular Harry Potter films, for example, would
not have been half as convincing without the large cast of actors under the
age of 18 playing the schoolchildren. Child actors are also necessary in the
advertising industry, in order to make products appealing to a younger
audience. Some sports, too, would be endangered if children were not allowed
to compete. Ice skaters and dancers, for example, benefit greatly from
training starting at an early age.
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If child performers were banned, it would be the duty
of the government to ensure children were not illegally performing, just as
it is currently their duty to protect current child performers. In the United
States, for example, Major League Baseball has begun to institute DNA testing
for international players, in order to ensure that they are being truthful
about their age when they come to America. Banning child performers is
possible, and it is the only way to truly protect children’s rights and to
prevent them from the inherent physical and emotional risks.
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If child performers were banned, many children would
find a way to perform illegally, now without legal protection. While being a child performer is legal, these
children’s working circumstances are under the protection of the law and
monitored by government departments such as the Inland Revenue, Health and
Safety, etc. Were child performers to be banned, it is certain that some
children would still perform, but would not be thus protected. This has
already happened in certain professional sports where athletes can benefit by
lying about their age. For example, it is easier for Latin American baseball
players to sign with U.S. Major League teams if the teams think they are
young. As a result, countless players have lied about their age, including a
number of high-profile cases, such as Miguel Tejada who was named Most
Valuable Player in 2002. Many of these young players, however, have been less
successful. There are too many unfortunate examples of players who came to
the United States at a young age and, under the increased pressure, fell victim
to serious drug problems, often resulting in overdose and death. A ban would
not prevent children from performing; it would actually further expose them
to whatever risks may be involved.
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Children might feel as if their rights are being taken
away, but there is a reason why children are not given free reign over the
way they live their lives. Governments have already stepped in to prevent
children from endangering their health by consuming too much junk food, and
indeed from working in non-performance fields. So too must they take charge
in this issue and act so as to prevent children from becoming susceptible to
the emotional and physical risks involved in being a child performer.
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The government has no right to prevent children from
doing what they enjoy and are good at. Many child performers would undoubtedly protest if their right to
perform were taken away from them, and justly so. This can be seen in quotes
from the likes of Roddy McDowall, who said in an interview in 1963 that he
“had a particularly wonderful time” as a child actor, and would presumably
have been quite upset had a ban been enforced in his lifetime. It is beyond
the rights of the government to make illegal an opportunity that allows those
talented on the stage, in front of a camera, on the pitch, etc. (who might
well not be so strong in other, e.g., academic, areas) to make a living from
doing what they do best.
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